Fun to see the setup and watch you at work again. That you should have chosen the legendary Oak Room of the Algonquin, so connected to The New Yorker, is so appropriate. And that 44th was closed so that you could have the location, was serendipitous. Albeit because of a Polish parade. That would probably make a great cartoon in itself. I cannot wait to see your film.
I enjoyed the live feed, especially being able to feel the energy by all involved. It must feel surreal to see this all come together in front of you. Bravo you Liza!
Exciting to see what it's like in the Algonquin Room where you will be filming. I was a big fan of the writers at the roundtable especially Dorothy Parker. You are an inveterate cartoon artist, drawing whever you are. Good for you!👩🎨
Fun to see the setup and watch you at work again. That you should have chosen the legendary Oak Room of the Algonquin, so connected to The New Yorker, is so appropriate. And that 44th was closed so that you could have the location, was serendipitous. Albeit because of a Polish parade. That would probably make a great cartoon in itself. I cannot wait to see your film.
Wow! This is so cool Liza!
Cool!!
I enjoyed the live feed, especially being able to feel the energy by all involved. It must feel surreal to see this all come together in front of you. Bravo you Liza!
It’s a treat to participate with you in setting up the space… on your ‘etch-a-sketch’ iPad !
Thank you for sharing.
Auspicious start, getting a round table at the Algonquin.
https://en.wikipedia.org/wiki/Algonquin_Round_Table
Exciting to see what it's like in the Algonquin Room where you will be filming. I was a big fan of the writers at the roundtable especially Dorothy Parker. You are an inveterate cartoon artist, drawing whever you are. Good for you!👩🎨